We may formulate the general principle that the tempo is correct when the details and the ensemble are equally perceptible and equally effective. We must remember that the hearer who is listening to a work of Bach's for the first time often feels a moderate tempo to be a quick one, if the modulations are very rich and the contrapuntal writing very complicated.
—from J. S. Bach (Volume II), a book by Albert Schweitzer - English translation by Ernest Newman
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