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You will find patterns in music that do not conform to any of the three scale forms. 7 and 6 might be raised in a descending step-wise passage. 6 may be raised while 7 is not. Minor truly is flexible. In the music you study in minor keys, it is rewarding to look at each raised or unraised 6 and 7 degree and ponder why it is one way and not the other. It will lead you to a better understanding of the harmonic and melodic forces at work, and will enrich your intuitive feel for the music as well.

—from Introduction to Music Theory, a other by David Arrivee

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