Debussy introduces a mystical feeling by means of a series of parallel fifths and octaves. Shortly, an undulating motive in the piano's lower register suggests swirling waters; with a mighty surge the cathedral comes up out of the sea. A bit of chantlike melody becomes audible before the cathedral, accompanied by more undulations, then slips back into its watery home.
—from Five Centuries of Keyboard Music, a book by John Gillespie
Active since March 1, 2020.
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| Rank | Username | WPM | Accuracy | Date |
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